Rosa pimpinellifolia (thorny)

pimpinellifloria

The rose hip and rose haw, is the pomaceous fruit of the rose plant, that typically is red-to-orange, but might be dark purple-to-black in some species. Contrary to the fairly common myth, rosehips are not poisonous.

stekels

De duinroos (Rosa pimpinellifolia) voelt zich thuis op zonnige plaatsen op droge, matig voedselrijke, zwak zure grond.

De bloemtakken zijn over de gehele lengte bezet met grotere en kleinere stekels en met naaldvormige stekels.

Rozenbottel: rijpe gezwollen bloembodem bij het geslacht Roos.
Rozenbottels zijn donkerbruinachtig paarse of meer zwarte vlezige bloembodems met daarin de nootjes-achtige vruchten.

pimpinellifolia

Rosa Pimpinellifolia with rosehips  2009 grafietstift op papier 92x61cm

zie: Purple Foxglove
zie: More Foxgloves
zie: Foxgloves and Snapdragons/ ripeness and deterioration
zie: The story of life
zie: Smilax(Struikwinde)
zie: potlood op papier

@Omasaurus

Omeisaurus, in Dutch: Omasaurus (zie: @Omasaurus)

Most skeletons of Omeisaurus were found in the 1970s and 1980s,
during the great “Chinese Dinosaur rush”.
There have been seven species of Omeisaurus named so far:
O. junghsiensis, O. changshouensis, O. fuxiensis,
O. tianfuensis, O. luoquanensisO. maoianus and O. ma(rjolijn).
All of these but the last were named after
the locations where they were found.

Like other sauropods, Omeisaurus was herbivorous and large.
It measured 10 to 15.2 metres (30 to 50 ft) long,
4 metres (12 ft) high and weighed 4 tons.
It had the typical bulky body and long neck
of other dinosaurs in its suborder.
Unlike many sauropods, however,
its nostrils were located close to the end of its nose.
The back of the Omeisaurus was higher at its hips
than at its shoulders.

on the left:  Fingerprint* of an Omasaurus?
on the right:  The last Omasaurus (?) spotted in the bushes…

There’s a rumour going on that
only one Omasaurus survived and she’s on Twitter!
zie: Omasaurus (Twitterae)

*étude des sources (7) 2006 30x23cm. potl./streling
op museumkarton collection: Musagète Amsterdam
zie: Seelenbriefe

Meta von Salis in Sils

Zie: Lago di Cavloggio
zie: Lägh da Cavloc

kaartsils
Youtube video:
The Nietzsche Haus At Sils-Maria, Switzerland

“The summer was extraordinary hot.
Even up there so close to the boundary of the eternal snows,
one preferably stayed in the house at noon.
The wild flora were more luxuriant than ever:
the large, white chrysanthemums lined the meadow path
on the peninsula; between Isola and Sils the underbrush shone
with alpine roses; further up on the swampy mountain meadows
the aromatic brown nigritellas gleamed between
the silver-haired and wool-grasses and dryads
and saxifrages mocked the life-hostile stones.
The two hotels were full of guests and almost every family
in the village had rented rooms.
We were housed in a stately house in the Engadine
this side of the bridge over the Fex Brook
and right next to the Fex Valley road.
The front stairs and windows were full of flowerpots,
cared for by the landladies with undaunted diligence
through the harsh winter.
Here too the splendid sun brought super-abundant rewards,
every pot was filled with blossoms.
A rosebush especially bore two roses of a perfection in form,
color and aroma, such as is not found among its
more favored brothers in the valley.
Nietzsche sometimes stopped to look at these super-roses,
these children of the heights,
of the pure air and proximity to the sun.
Nietzsche lived in the same house as before,
across the bridge and came over to see us
almost every morning and sometimes also in the afternoons,
when the weather was beautiful and the heat moderate,
to take us for a walk; otherwise,
for an intimate conversation in our room.”
zie: “Here my muses live”
zie: The ice is near

SilsMaria
Am Weg nach Sils…
(from: Nietzsche. Ivo Frenzel – Rowohlt Monographien)

Nietzsche loved to “recreate” himself with me as a reprieve from his loneliness, from his work and sometimes from demanding visitors. We sat for hours in my flower-decorated room, I with some work in hand, he speaking about what he was thinking, reading, experiencing.
He liked a good listener.

Nietzsche knew how to “share joy” as few people do, and how to show it tactfully. Right after my arrival he had congratulated me on receiving my degree and expressed interest in reading the published dissertation, which, when it came out, seemed to please him, although the paper and type did not seem to meet his expectations in quality and clarity.

Nietzsche had read it (The Insulted and the Injured by Dostojevski), as he told me on an evening walk along Lake Silvaplana, with tears in his eyes. He – that is the salient poin – had condemned a whole series of intense feelings not because he did NOT have them, but on the contrary because he HAD them and KNEW their danger.

In the summer of 1887 Nietzsche was at times very cheerful and disposed to harmless jokes. He enjoyed accompanying me and my girlfriend onto the lake, allowing himself to be initiated into the skills of rowing and enjoying the slight shimmer of danger which the journey took on.

The mostly comical memories finally ended in a melancholy mood, which was expressed on the little footway down from Laret, as he recited softly to himself from the familiar song “Auf den Bergen die Burgen – Im Thale die Saale” the words “Verdorben, gestorben – Ach alle zerstreut” (Ruined, dead – alas, all dispersed). His greatest art of living was the compulsion to be joyful; it kept him, “the man of deep sadness,” alive, and it matured him for his task.

I will never forget our parting in September. The last days before my departure was a Sunday. We were walking along on the shore of Lake Silvaplana, at the foot of Corvatsch. The air had silvery autumnal tone which Nietzsche liked to call “otherworldly”. The lake was slightly agitated and the little waves, in which the rosy evening clouds were painted, ran murmuring onto the sandy shore and back again. “As if they too wanted to shake your hand in farewell,” said our companion in his melodious voice. Then, as we were walking home across a desolate stretch of field between the lake and the slope of Sils facing it, he remarked with a small sigh: “Now I am widowed and orphaned again.”

Meta von Salis-Marschlins, May 1887

(From: Conversations with Nietzsche.
A Life in the Words of His Contemporaries. by Sander L. Gilman)

“1887. Sixth summer in Sils-Maria.
Long visit by Meta von Salis, who was the first
female Swiss citizen to receive a docorate
(in history from the University in Zürich).
Von Salis and FN engage often in deep intellectual discussions.”
Nietzsche Chronicle

Meta

Dr. Meta von Salis-Marschlins in 1890
She was a feminist and a history-, Sanskrit-,
philosophy- and lawstudent
in Zürich, Berlin and München

As a tribute to Nietzsche Meta von Salis-Marschlins bought
the “Villa Silberblick” in Weimar in May 1897.
“Nietzsche’s sister Elisabeth moved with her brother
to Villa Silberblick in Weimar,
where he continued to live till August 25, 1900,
in the house of the  Nietzsche Archive, surrounded by witnesses
and documents of his budding fame,
without himself having an inkling of it”
Paul Deussen

zie: Memories of Sils Maria
zie: Nietzsche-Dokumentationszentrum
zie: Young Nietzsche
zie: Marie Baumgartner (1)
zie: jenseits/diesseits
zie: Running around in circles
zie: Reindeer/Rendiermos(s)

Memories of Sils Maria

My video’s of Sils-Maria are on Vimeo

memories

SilsMaria(1)

SilsMaria(2)

SilsMaria(3)

SilsMaria(4)

SilsMaria(5)

SilsMaria(6)

AFGEBEELDE WERKEN GESCHONKEN
AAN NIETZSCHE DOKUMENTATIONSZENTRUM
NAUMBURG(SAALE) DEUTSCHLAND
zie: Schenking/Schenkung

After my third visit (1984) to Sils Maria, Switzerland,
Nietzsche’s favorite summer-residence,
I made “reminders” to be able to remember the way I felt,
walking aroud there … and that’s exactly the way
it worked out …
zie: Nietzsche’s Meer van Silvaplana
zie: Lägh da Cavloc
zie: Reindeer/Rendiermos(s)
zie: Ins Freie

Boven:
Sils Maria-reminders/geheugensteuntjes
die nog steeds werken:

* Wandeling naar “Nietzsche’s Halbinsel”.
o.i.inkt/oliepastel/2 vastgeniette veertjes op papier.
18x17x4cm (1984/1985)
* 6 potlood-wandelingen. 10x15cm elk,
daarop een “bergachtige”, opgedroogde verfklont
26x15x2cm (1984/1985)
* 4 gestapelde o.i.inkt-tekeningen,
aan beiden zijden een “berg” (met plastic bergbeklimmers)
een draad tussen beide bergen gespannen
waaraan een getekende koorddanser hangt.
40x30x7cm (1984/1985)
* plattegrond. oliepastel/ inkt/ punaise/
ter plekke gevonden steen op karton.
14x19x4cm (1984/1985)
* twee wandelingen naar “Nietzsche’s Halbinsel”.
o.i.inkt/oliepastel/”berg” met vlag/ter plekke gevonden
steen op karton en papier.
27x10x1cm (1984/1985)
* 4 getekende wandelingen.
10x15cm elk,  foto/o.i.inkt/potlood/oliepastel/
ter plekke gevonden steen met mos op papier.
32x21x2cm (1984/1985)
* ingeniette, ter plekke gevonden steen,
o.i.inkt/oliepastel/nietjes op papier, 18x18x3cm.

kaart

zie: jenseits/diesseits
zie: Dagboekachtig
zie: inleving
zie: Meta von Salis in Sils
zie: The ice is near
zie: Running around in circles